She uses all sorts of methods, grounds, and styles to create mood, emotion and attraction to her uniqely painted images of people. As she explained several of her design styles, she said that she "starts with the traditional, then 'plays around.'" As I am, Myrna is a great believer in artists DRAWING, and not copying. What's the point?
The copying we did was a way in which she creates the image she might use, then draws it on tracing paper, and then transfers her DRAWING via a watercolor crayon, to "good" paper. The paper can be a good watercolor paper, or a piece of paper with either diluted matte medium, or gesso, or both, on it, which makes for a tricky start if one hasn't worked that way before!
Myrna also showed us several ways to interpret source material, including using pen, crayon and stamps, which I thoroughly enjoyed, but my favorite is the use of Tyvek "paper" for painting. LOVE it! The painting I did on Tyvek was of me, using a high contrast image [tweaked on Photoshop] with fluid acrylics! Am not too sure of the outcome, but the process was fascinating!
Again, workshop paintings don't always work in terms of "frameable" paintings, but learning the processes are always worth the price of the ticket. Can't wait to attend Myrna's five-day workshop at OSA in January!
The icing on the cake, literally and figuratively during my Portland visit was to spend the weekend with family to celebrate my granddaughter's sixth birthday. I am pretty confident she had a special full weekend with lots of loving and lots of gifts, and I know I had a great time watching her!